History and criticism
Dec 30, 2013 — Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.
Nov 5, 2013 — Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.
Sep 27, 2013 — Talking Heads star David Byrne celebrates the power of sound in How Music Works, arriving at No. 12.
Sep 23, 2013 — In softcover fiction, Louise Erdrich finds the heart of a family trauma, T.C. Boyle mines love and horror on San Miguel and Robin Sloan tells of a bookstore with secrets in stock. In nonfiction, David Skinner opens up Webster's third dictionary. In poetry, Mary Oliver returns home.
Sep 16, 2013 — In softcover nonfiction, Stephen Tobolowski recalls his time as a character actor, Walter Stahr profiles Lincoln's adviser, David Byrne relates his ideas on music and Daron Acemoglu and James Robinson investigate failing states. In fiction, Attica Locke weaves a murder mystery in the Deep South.
Aug 8, 2013 — A lengthy interview with Leonard Bernstein. One man's quest to understand obsessive Phish fandom. A look at the life of a jazz legend. We survey these and other highlights of music-themed books worth reading this summer.
Jul 30, 2013 — In the new book What You Want Is in the Limo, author Michael Walker argues that a peak year in the careers of Led Zeppelin, Alice Cooper and The Who also marked a cultural shift — from the peace, love and understanding of 1960-era music to '70s rock decadence.
Jul 30, 2013 — The club, which booked bands like R.E.M., the Replacements and Yo La Tengo before and after they hit the big time, is shutting down while "people still love us," says an owner.
Jul 6, 2013 — Pop-culture writer Nathan Rabin introduces us to some obsessive fans in his new book, You Don't Know Me But You Don't Like Me, which chronicles his experience following the followers of the bands Phish and Insane Clown Posse.
Jun 3, 2013 — Sherman worked a tight niche: classic songs rewritten to tickle a Jewish audience's funny bone. A new biography, Overweight Sensation: The Life and Comedy of Allan Sherman, explains how the performer's 1960s crossover fell in line with a collective awakening to ethnic identity in America.