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August 20, 2014 | NPR · If you venture away from the protest zone in Ferguson, Mo., there is an idyllic neighborhood, which doesn't have much patience for the out-of-towners who have joined the protests.
 
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August 20, 2014 | NPR · President Obama has carefully avoided taking sides following the shooting of Missouri teen Michael Brown, disappointing some African-American observers.
 
August 20, 2014 | NPR · Texas ranks 49th out of 50 states in how much funding it commits to mental health. But San Antonio has become a model for other mental health systems. It has saved $50 million over the past 5 years.
 

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August 20, 2014 | NPR · Demonstrators want an indictment of the police officer who fatally shot Michael Brown earlier this month. But investigations — one of them a federal civil rights case — can take weeks, if not months.
 
August 20, 2014 | NPR · More than a week now from the police shooting in Ferguson, Mo., it's worth asking: Ideally, what should happen with a police officer stops someone in the street?
 
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August 20, 2014 | NPR · Enlisting has been a rite of passage for men in the Pierce family since the Civil War. And as America has changed, Mark Pierce and his son Jeremy explain, what it means to serve has, too.
 

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August 16, 2014 | NPR · Both Ukraine and Russia say they're trying to send supplies to residents in eastern Ukraine. But with tensions on both sides running high, that aid may take a while to arrive.
 

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August 17, 2014 | NPR · American fighter jets and drones carried out airstrikes against Islamist targets near the Mosul Dam in northern Iraq on Saturday. A breach of the dam could threaten entire cities.
 

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History and criticism

Dec 30, 2013 — Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.
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Nov 5, 2013 — Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.
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Sep 27, 2013 — Talking Heads star David Byrne celebrates the power of sound in How Music Works, arriving at No. 12.
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Sep 23, 2013 — In softcover fiction, Louise Erdrich finds the heart of a family trauma, T.C. Boyle mines love and horror on San Miguel and Robin Sloan tells of a bookstore with secrets in stock. In nonfiction, David Skinner opens up Webster's third dictionary. In poetry, Mary Oliver returns home.
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Sep 16, 2013 — In softcover nonfiction, Stephen Tobolowski recalls his time as a character actor, Walter Stahr profiles Lincoln's adviser, David Byrne relates his ideas on music and Daron Acemoglu and James Robinson investigate failing states. In fiction, Attica Locke weaves a murder mystery in the Deep South.
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Aug 8, 2013 — A lengthy interview with Leonard Bernstein. One man's quest to understand obsessive Phish fandom. A look at the life of a jazz legend. We survey these and other highlights of music-themed books worth reading this summer.
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Jul 30, 2013 — In the new book What You Want Is in the Limo, author Michael Walker argues that a peak year in the careers of Led Zeppelin, Alice Cooper and The Who also marked a cultural shift — from the peace, love and understanding of 1960-era music to '70s rock decadence.
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Jul 30, 2013 — The club, which booked bands like R.E.M., the Replacements and Yo La Tengo before and after they hit the big time, is shutting down while "people still love us," says an owner.
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Jul 6, 2013 — Pop-culture writer Nathan Rabin introduces us to some obsessive fans in his new book, You Don't Know Me But You Don't Like Me, which chronicles his experience following the followers of the bands Phish and Insane Clown Posse.
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Jun 3, 2013 — Sherman worked a tight niche: classic songs rewritten to tickle a Jewish audience's funny bone. A new biography, Overweight Sensation: The Life and Comedy of Allan Sherman, explains how the performer's 1960s crossover fell in line with a collective awakening to ethnic identity in America.
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