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June 18, 2013 | NPR ·
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June 18, 2013 | NPR ·
June 18, 2013 | NPR ·
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Classical Notes Newsletter
Jun 9, 2013 — The quartet's new album of Tchaikovsky and Schoenberg is the last to feature the cellist and longtime member of the group.
Jun 10, 2013 — Vadym Kholodenko, 26, of Ukraine, takes home the $50,000 purse, plus three years of professional management. But, he says, the rankings don't mean that much. It's interesting for the audience, Kholodenko says, but in life it's "not so important."
Jun 12, 2013 — The Puerto Rican-born composer draws from ambient music, found sound and visual art, as well as the classical-music tradition. Watch Negrón show off her vintage keyboards and music boxes in the latest edition of Q2 Music's video series Spaces.
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Jun 12, 2013 — Composer Mark Adamo has made his mark turning classic books, including Little Women and the Greek drama Lysistrata, into operas. His latest, The Gospel of Mary Magdalene, covers more sensitive territory, examining the titular figure's relationship to Jesus — outside the canonical Bible.
Jun 7, 2013 — Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
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Jun 4, 2013 — For a film built almost completely from rehearsals on a bare stage, there's a surprising amount of drama — especially between a stage director and his charismatic star, French soprano Natalie Dessay.
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Jun 5, 2013 — Founded in 1962, the Van Cliburn International Piano Competition continues this year without the presence of its iconic namesake. But organizers and contestants believe the contest — as well as its high standards and ability to boost careers — will remain.
May 31, 2013 — Fridays are funnier with a classical cartoon at noon from Deceptive Cadence.
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May 29, 2013 — Check out our favorite videos from our Rite of Spring call, ranging from beautiful to nutty, live action to stop motion, porcine to feline. No cats, bananas or cyborgs were harmed in the making of these motion pictures — though grass and weeds got what was coming to them.
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May 29, 2013 — San Francisco Symphony music director Michael Tilson Thomas guides us through the infamous Rite of Spring premiere, the music's longevity and its surprising singability.


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