A Blog Supreme
Apr 15, 2014 — Longtime friends and collaborators Herbie Hancock and Wayne Shorter headline the numerous performing artists, ensembles and recordings awarded for achievement in the year 2013.
Apr 11, 2014 — Structured and free, sonic and rhythmic, poems and jazz music seem like natural partners. For National Poetry Month and Jazz Appreciation Month, here are some notable collisions between the two.
Apr 7, 2014 — The trombonist and three fellow musicians from Houston started one of jazz's most popular groups in the 1960s. As the times changed, so did their music — and their success magnified further.
Apr 1, 2014 — Matthew Stevens has mostly moved on from his shelved debut recording — but one tune remains in rotation. He explains how Tony Williams and a certain pop hit influenced his unconventional "Emergence."
Mar 28, 2014 — The great jazz photographer Chuck Stewart recently found six rolls of 50-year-old film in his archive. They contained previously unpublished shots of John Coltrane recording his masterpiece.
Mar 5, 2014 — In January, Harris Eisenstadt spent two weeks studying percussion in Matanzas and Havana. Here's what he gained from the experience.
Feb 22, 2014 — Thanks to prohibition and trains, the Canadian city became known as a nightlife capital. A web documentary traces how Oscar Peterson and others emerged from the black neighborhood of Little Burgundy.
Feb 14, 2014 — Growing up in Denver, Rudy and Shamie Royston dreamed about moving to a jazz hub like New York. After a few welcome delays to teach and raise a family, they're beginning to pursue careers as performing musicians.
Feb 14, 2014 — It may seem as if jazz recordings have slowed to a flurry, but it's more like a blizzard, with dozens already coming down in the new year. Hear highlights from a few albums worth shoveling out, by Archie Shepp, Edward Simon, James Brandon Lewis and more.
Feb 9, 2014 — Facing no interest from record labels, jazz bassist Mimi Jones made two albums under her own imprint. Along the way, she signed two "amazing, bad-ass" musicians — who also happen to be black female instrumentalists.