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Programs
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May 23, 2013 | NPR ·
May 23, 2013 | NPR ·
May 23, 2013 | NPR ·
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May 22, 2013 | NPR ·
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Music
May 23, 2013 — Imani Winds' members play David to Igor Stravinsky's imposing Goliath, as they shrink the massive Rite of Spring down to size in a rendition for just five wind instruments. The result is an epic in miniature — and a performance perfect for a Tiny Desk.
May 21, 2013 — Josh Homme presides over a dense, textured, unpredictable sound that's equal parts mystery, intensity, beauty and bluster. Watch QOTSA perform ...Like Clockwork in its entirety, then tackle an assortment of older material, in a sold-out show at The Wiltern in Los Angeles on May 23.
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May 22, 2013 — The North Carolina band performs powerful, country-tinged songs from its new album, Miracle Temple.
May 22, 2013 — In 2011, police detained Ai Weiwei for 81 days. Now, he's released a song that's turned the experience into a heavy metal protest song, along with a dystopian nightmare video. The lyrics are explicit and angry. Ai says his music is for the many political prisoners who remain jailed.
May 21, 2013 — On his new songs, the rapper points fingers in every direction, including back at himself.
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May 21, 2013 — For the 200 anniversary of Richard Wagner's birth, William Berger, author of Wagner Without Fear, guides us through five of his favorite Wagner moments — musical episodes that keep the composer's extraordinary dramas in our lives today.
May 23, 2013 — Mechanical engineer and sculptor Tristan Shone, who records as Author & Punisher, is a master of machines. He's built a robotic entourage — throttles, knobs, rails and all — that responds to MIDI/USB controllers and makes for-real industrial doom metal.
May 16, 2013 — In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, Random Access Memories, in a real studio, with real musicians. Hear the elusive electronic duo in conversation with All Things Considered's Audie Cornish.
May 20, 2013 — With so many distractions and different ways to hear songs, it's getting to be pretty impossible to give full albums the attention they deserve. When was the last time you actually listened to one all the way through, without any interruptions?
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May 20, 2013 — As The Uncluded, the two cancel each other's weaknesses — Dawson gains heft, while Aesop Rock lightens up. Critic Robert Christgau says the collaborative album is almost like two halves of a whole.


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